Viganò took part in the 2026 edition of Salone del Mobile, held in Milan from 21 to 26 April 2026, reaffirming its role as a leading name in the seating and furniture sector for office, contract and hospitality environments.
The stand project was designed by 967arch, just a few months after its appointment as the brand’s Art Director in January 2026. The intervention represented the first tangible step of this new creative direction, defining a renewed architectural language in which space, materiality and corporate identity merged into a single narrative experience.
The stand was conceived as a representational space where architecture, colour and materials contributed to the creation of an immersive and layered environment. The installation developed as a sequence of interconnected settings, each interpreting a different expression of Viganò’s collections, reflecting the complexity and fluidity of contemporary ways of inhabiting workspaces, hospitality settings and domestic environments. The intentionally neutral surfaces enhanced the quality of the materials used in Viganò products (task seating, meeting tables and lounge systems), allowing the furnishings to emerge through chromatic accents and material details, becoming narrative elements within the space.
Among the new products on display was Dolly, designed by Basaglia + Rota Nodari, which introduced a new interpretation of the operational workspace. It is a modular upholstered system designed to create acoustically protected micro-environments. The structure offered flexible configurations including chairs, armchairs, sofas, side tables and worktops, adapting naturally to working environments.
Alongside Dolly, Oasis by OrlandiniDesign explored the theme of wellbeing as a daily pause. It is an armchair conceived as an oasis of comfort, embracing the body through soft and enveloping forms. The rigid polyurethane outer shell enclosed soft internal padding, ensuring a balance between aesthetics and functionality. Its conscious design also allows materials to be separated at the end of their lifecycle, with sustainability in mind. Oasis marked the beginning of a seating family set to expand, designed for both contract and residential interiors.
The exhibition path also included some of the brand’s iconic collections. Adele by OrlandiniDesign reinterpreted the executive chair through a die-cast aluminium structure acting as an exoskeleton, framing the backrest and defining a distinctive formal identity.
In the name of comfort and the domestic dimension applied to contract spaces, Grand Jolie expanded the Jolie collection with an armchair and a two-seater sofa featuring generous proportions and an enveloping backrest. A seating solution conceived as a welcoming retreat, ideal for lounge, hospitality and residential environments. Also featured on the stand was the Jolie family in its original version, interpreting the evolution of the contemporary workplace, including Très Jolie, a four-legged wooden frame version that expresses a warmer and more contract-oriented aesthetic language.
The presentation was completed by Milly Big, an operational chair combining a wide seat and ergonomic comfort to improve the quality of the everyday working experience.
